Verities
March 2003
Reprinted
from 9/6/99
by
Christopher Hess
Does
it seem quieter out there to you?
Maybe
not quieter, but definitely different. More subdued. Hesitant,
almost, as if the whole town is sort of holding its breath,
sure that something is about to happen, knowing that all there
is to do is wait. See what happens.
Me,
I've been spending a lot of time at home. Watching a lot of
movies, hanging out with my girlfriend and my dogs, getting
acclimated to the slower pace that all things inevitably shift
into during the summer months in Texas. And it ain't all bad,
this slowing up, once you get used to it. The proliferation
of time-saving technology and devices has created so much
more work for the average shlub that during any day there
is no down time. What, read a book? OK, but only if I can
listen to the news on the radio, return a list of phone calls
and eat dinner at the same time. One thing at a time is simply
not enough to do anymore. But, if you want to keep up, you
gotta do it, right?
Not
during the summer. Screw it, let 'em get ahead. It’s
too damn hot outside.
So
maybe the huge changes that have descended on the face of
the Austin music scene with all the gentility of plastic surgery
with a baseball bat have come at a good time. Though it’s
premature and uninformed to call the morgue to cart away the
gasping body of live pop and rock music, it’s getting
close to too late to notice that things are changing in a
way that a lot of people don’t like. Over the 7-odd
years I've spent in Austin, the vast majority of my evening
hours (and a good number of the daytime, too) have been spent
in music venues, watching bands. I went pretty much everywhere
and saw a whole lot of what there was to see at one point
or another. It was just what I did. I couldn't think of a
better way to spend my nights than being on the receiving
end of someone's version of what rock music was supposed to
be about. Time spent trudging through the clubs and the record
stores and the music media of Austin opened my eyes to a world
whose depth I had not previously imagined and introduced me
to people and to music that will stay with me for the rest
of my life.
When
the Electric Lounge, the small and beautifully divey rock
club next to the railroad tracks at 4th and Bowie, closed
its doors in the spring of this year, a big chunk of that
world disappeared. It was my favorite place. Away from downtown
parking nightmares and close enough to stumble home, the Electric
Lounge was always the place I wanted bands to play. Likewise
for Liberty Lunch. If a band was too big for the Lounge, the
Lunch was next in line. It too had easy parking and was just
the other side of the river from the Lounge. Now that’s
gone as well. It'll be relocated, sure, and hopes are high
for the partnership with Stubb's, but it won’t be the
same old warehouse with the uneven floor and history of sound
ringing through the air.
So,
it’s not that there’s no music happening. On the
contrary, the music scene in this town keeps chugging along,
producing increasingly-high profile pop stars and an underground
rock scene that refuses to die despite losing its own Lunch
and Lounge in the form of The Blue Flame and Bates Motel,
two rat-hole punk clubs that were of utmost importance in
giving bands who could not yet get gigs at Emo's or the E-Lounge
or Stubb’s stage-time and a chance to win fans. It all
keeps going, regardless of measures taken by city council
to stop it or development interests aimed at the new money
of the high-tech insurgence. Just look at what’s happening
to Steamboat now, the venerable rock club on 6th Street—one
of the last ones down there, if anyone’s keeping count.
They’re getting the boot to make way for a more profitable
use of the space, which will be severely renovated. They too
will relocate, but it’s a sign of the changing face
of this town.
But,
hey, clubs close, bands break up, and entire thriving sub-scenes
can disappear without explanation or warning. It happens all
the time, and it shouldn't be a shock to anyone who pays attention.
Why, then, does this seem like such a big deal? Perhaps because
the changes taking place are on such a massive scale that
it’s altering the look and feel of Austin that are so
intrinsic to its appeal—namely, that this is a city
that feels like a small town largely because of its Liberty
Lunches and its Steamboats and its sweltering summer music
festivals. When it comes down to it, though, I suppose it’s
a change happening on a smaller scale: namely, me. I've hit
30. I enjoy waking up early on a Sunday morning without a
hangover, or spending a Friday night having dinner with a
few friends without having to rush off to a club to see a
band. The turtle’s pace of the dog days, at least for
now, is suiting me just fine. Besides, the music will still
be there when I change my mind.
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