March - April 2001
Volume 7 Number 3
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Communion poetry by Faulkner Fox

FM Purgatory fiction by Ricardo Avecedo

How Fast and How Far by Jake Rousel
Austin has opened the doors for many bands over the years, as it is "The Live Music Capital Of The World," but one band is moving its way quickly through these art-filled streets.

The Lion and the Unicorn by Rob Curren
Artists seldom complement each other as completely as Billy Joe Shaver and Kinky Friedman.

Notes from the Woodshed by Paul Klemperer
The Grammy's were designed to give music industry people, the ones who do the work, a voice in recognizing achievements within their field. Yet the ceremony seems to have become just another corporate machination for reinforcing the profit-driven pyramid that is popular music.

Summoning the Intense by Tom Benton
The way people treat each other, so often it's racist or negative or ignorant. I relate to the bad stuff a lot. The music is a reflection and a reply, a way of dealing with and expressing it.
-- Carl Smith

Up All Night by Harold McMillan
There is no argument here, we are just speaking a language that you apparently don't understand. And you know what? You don't have to understand.

Verities by Pablo K.
For decades I have been reminded by TV, radio, movies, tabloids and the rest, of all the things I don't have, that I will never have.

Wish You Were Here by Justin Davis
Your case was dusty, I hadn't touched you for months, it wasn't neglect on my part to you, I still cared for you very much, it was neglect to myself.

   

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cover art by Michelle Cousins and Daniel Burns


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