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Ballet Austin Prepares for the 1997-98 Season by Lucy Shaw
As Ballet Austin's Artistic Director, one of Lambros Lambrou's goals is to keep his company accessible to the audience.
Beat Reading poetry by Courtenay Nearburg
Butoh -- Dance of Darkness? by Christopher Keimling
Butoh doesn't shirk from exploring unpleasant human feelings, which probably explains why it can be so disturbing to watch.
Fredrick Sanders' Smile by Manuel Gonzales
His style is clean and experimental, and free of the cluttering flourishes often found in less skilled and less talented and less passionate performers. Fredrick Sanders knows what he wants and knows how to play.
Get Into the Groove Line by Courtenay Nearburg
The Groove Line is earning a reputation, and it stretches as far away as New York City.
The Rush poetry by The Couch Lady
Up All Night by Harold McMillan
The passing of our eldest African American griots, for the current generation and all subsequent ones, signals an end of an era, leaving us without the kind of cultural documentation afforded those groups whose roots tie them culturally and politically more directly to middle America.
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