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About the Blues Family Tree Project
Ernie Mae Miller
Henry "Blues Boy" Hubbard
James Polk
Martin Banks
Tyler "T. D." Bell
W. C. Clark
Venues
Internship Opportunities
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Blues Family Tree Project
Martin Banks
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Martin Banks
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Name: Martin Banks
Date of Birth: June 21, 1936
Location of Birth: Austin, Texas
Profession: Touring and Austin-area musician
Instrument: Trumpet, flugelhorn
Vocalist: no
Bands: Performed and recorded with many renowned jazz
and pop musicians, original 1960s Motown Records session
players, Motortown Revue, Creative Opportunity Orchestra
Collaborators: Dexter Gordon, Sun Ra, Count Basie, Dizzy
Gillespie, Sam Rivers, James Polk, Alex Coke, Rich Harney,
Hank Crawford
Discography: The Resurgence of Dexter Gordon (1960),
Worldwide (1998);
Education: BA Music, City College of San Francisco
Influences: Kenny Dorham
Styles: Jazz, Blues, R&B
Venues: Toured internationally and recorded with various
artists, New York and West Coast scenes, Apollo Theater
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| Banks grew up in Austin and left immediately
after high school to study music in San Francisco. While there,
he met many musicians who would go on to become jazz stars.
His first recording gig was with Dexter Gordon and others.
He then went to New York, where he had steady gigs at the
Apollo Theater. From the mid-1950s onward, Banks recorded
and toured with various well-known artists, including Gordon,
Dizzy Gillespie, Sun Ra, Count Basie and Sam Rivers. He was
also one of the original Motown session players, and toured
with the Motortown Revue in the 1960s.
Despite these credentials, Banks has a hard time getting work
in Austin. He returned here in the late1980s, and most often
works with James Polk, Alex Coke, and Rich Harney. Banks is
unique in that he his able to discuss his roots in Austin's
musical family in light of his experiences in the broader
national scene, which cannot be said of most local players,
and which also makes Banks an important historical source.
Despite being fairly bitter about today's Austin scene, he
is looked upon as a hometown source of inspiration for players
of all ages and levels, and enjoys his role as a griot of
sorts for neighborhood school children in workshops designed
for them. He currently plays with Creative Opportunity Orchestra.
Banks discusses his roots in Austin's musical family in light
of his experiences in the broader national scene.
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